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Internationales Festival
Zeichen der Nacht
(Signes de Nuit)
Berlin
Deutschland
Januar 18 - 24, 2016
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Wettbewerb
Dokumentarfilm
# 4 |
Freitag 22. Januar 2016 / 17 Uhr
ACUDkino
Berlin / Deutschland
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S |
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Richard Hajdu
Great Britain, Poland
2014 | 00:19:00
Set in London, S is a raw and uncompromising docudrama about an Eastern-European sex worker and her pimp. A politically conscious account of one of the most worrying phenomena in 21st-century Europe, it concentrates on two individuals and their soul-killing love-hate relationship against the backdrop of sex-trafficking, prostitution and poverty.
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Our Terrible Country |
Baladna alraheeb |
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Mohammad Ali Atassi, Ziad
Homsi
Syria
2014 | 1:25:00
This road movie portrays the perilous journey of well-known
intellectual Yassin al-Haj Saleh and young photographer Ziad Homsi
through Syria, at a time when the country edges towards the brink.
Yassin (53), who spent 16 years in prison for belonging to the Syrian
left, goes underground in 2011 to serve Syria’s popular uprising,
while Ziad (24) - occasionally fighting with the rebels - takes
photographs in his hometown Douma. In this Damascene suburb – where
Yassin and his wife Samira Khalil found shelter - the two men meet and
become friends.
Together, they embark on an adventurous journey through the desert to
al-Haj Saleh’s native town Raqqa in Northeast Syria. Upon their
arrival, Raqqa is occupied by the "Islamic State in Iraq and Levant"
(ISIS), which also kidnapped two brothers of Yassin.
Consequently, the thinker leaves for Istanbul to pursue his writing
for the revolution, hoping for a reunion with his wife Samira who
remained in Douma. Ziad – abducted by ISIS on his way back – rejoins
Yassin after his release, hoping to return home soon. All hopes are
shattered when Samira gets abducted jointly with human rights lawyer
Razan Zeitouneh.
And the film ends while Syria tumbles into a yawning abyss.
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January 18 - 24, 2016
Die weltweite Auswahl der Wettbewerbsprogrammes wird von einer internationalen Jury gesichtet. Das Festival präferiert neben Filmen, die einen alternativen Informationsgehalt bieten, Werke, die Realität in angemessener Komplexität repräsentieren und auf diese Weise deren sensible und irritierende Aspekte hervorheben. Es bevorzugt Filme, die sich dem ambivalenten und enigmatischen Status der Realität stellen und auf diese Weise Stereotype und simplifizierende Schlussfolgerungen unterlaufen.
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