 |
|
|
 |
Internationales Festival
Zeichen der Nacht
(Signes de Nuit)
Berlin
Deutschland
Januar 18 - 24, 2016
|
|
 |
|
|
|
|
****** |
Wettbewerb
Dokumentarfilm
# 9 |
Samstag 23. Januar 2016 / 22 Uhr
ACUDkino, Saal 2
Berlin / Deutschland
|
Polding's Gun with no Gunpowder |
Ang Baril ni Polding nga walay pulbura |
|
Albert Egot
Philippines
2014 | 0:35:00
Polding is a homeless person with disability who only lives with his makeshift bicycle helping him to move around. Despite all the bullying and trials of life, Polding remains happy, contented and a fighter. He protects himself using the gun without gunpowder and his ability to infect others to be happy through his charming attitude.
|
|
|
Evaporating Borders |
|
|
Iva Radivojevic
Cyprus, USA
2014 | 1:13:00
An essay in five parts, Evaporating Borders offers a series of
vignettes, poetically guided by the filmmaker's curious eye and
personal reflections. Through the people she encounters along the way,
the film dissects the experience of asylum seekers in Cyprus : A PLO
activist and exile from Iraq is denied asylum within 15 minutes;
neo-nazi fundamentalists roam the streets in an attack on Muslim
migrants; activists and academics organize an antifascist rally and
clash with the neo-nazis; 195 migrants drown in the Mediterranean.
Originally from Yugoslavia and an immigrant to Cyprus, Iva Radivojevic
investigates the effects of large-scale immigration on the sense of
national identity in one of the easiest ports of entry into Fortress
Europe. Poetically photographed and rendered, the film passionately
weaves the themes of migration, tolerance, identity and belonging.
|
|
|
January 18 - 24, 2016
Die weltweite Auswahl der Wettbewerbsprogrammes wird von einer internationalen Jury gesichtet. Das Festival präferiert neben Filmen, die einen alternativen Informationsgehalt bieten, Werke, die Realität in angemessener Komplexität repräsentieren und auf diese Weise deren sensible und irritierende Aspekte hervorheben. Es bevorzugt Filme, die sich dem ambivalenten und enigmatischen Status der Realität stellen und auf diese Weise Stereotype und simplifizierende Schlussfolgerungen unterlaufen.
|
|
|