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15. Internationales Festival
Zeichen der Nacht
(Signes de Nuit)
Berlin
Deutschland
Januar 21 - 22, 2017
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Wettbewerb
Kurzfilm
# 4 |
Sonntag 22, January 2017 / 16 pm
ACUDkino
Berlin / Germany
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Plasma Vista |
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Harriet Fleuriot, Sarah Cocking
Great Britain
2016 | 0:07:31
Plasma Vista allowed us to explore themes of economics, production,
creativity and collaboration. Objects and devices become bodily and
manipulative. The magician is a composed cartoon machine repeating
tricks and equations. When products become prosthetics does the
accessory take some emotional control? A creative trance. A
collaborative force. A playful duplication of the self with greater
consequence that first suspected. A filmic exhibit and retail site
that morphed into an experimental piece of moving image occupying the
dual space between utility and art.
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Timecode |
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Juanjo Giminez
Spain
2015 | 0:15:00
Luna and Diego are the parking lot security guards. Diego does the
night shift, and Luna works by day.
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Invocation to Sleep |
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Ewa Wikiel
Germany
2015 | 0:13:00
A night in a small polish village. Eight year old Kornel can't fall
asleep. For the first time in his life he's confronted with a death in
his family. At dawn he leaves the house to see if the world outside
still exists and where the line between life and death is.
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Limbo |
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Konstantina Kotzamani
Greece, France
2016 | 0:30:00
The leopard shall lie down with the goat. The wolves shall live with
the lambs. And the young boy will lead them.
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Voices of Finance |
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Clara van Gool
Netherlands
2015 | 0:35:00
Docudrama based on Joris Luyendijk's Banking Blog in The Guardian
about the financial heart of London. We follow ten different
characters through the financial world in London, whose monologues are
embodied through dance. The characters create a chain reaction
similar to the competitive, glamorous exhaustive, uncertain and
stressful financial world, in which every day could be your last.
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January 21 - 22, 2017
Eine internationale Jury überschaut das Kurzfilmpanorama aus aller Welt. Das FISDN präferiert Filme, die gesellschaftlich sensible Themen in orgineller Weise thematisieren, Filme, die Ambiguität und Komplexität nicht scheuen, die zuweilen enigmatisch bleiben, so dass die Reflexion über sie nicht abbricht, aussergewohnliche Filme, die alle Fommen künstlerischen Ausdrucks nutzen und offen sind für ästhetische Innovation, kurz Filme, die die irritierende Fremdheit der gegenwätigen Welt im komplexer Weise darstellen.
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