 |
|
 |
The 10th International Festival
Signes de Nuit
Paris
October 11th - 16th 2012
|
|
 |
|
|
|
|
****** |
Program
Focus Italy
|
October 5th, 2012 / 6 pm
Cinéma Acton Chistine
Paris |
Glass Eye Heart Does Not Sleep |
Occhi di vetro cuore non dorme |
|
Gabriele Di Munzio
Italy
2011 | Numérique | 0:25:00
Porta Venezia, Milan. Elena and Margherita prostitute themselves, each in her own way, while students and temporary employees stage a march in favor of the uprisings in the Arab world. Elena became a whore by chance and is looking for company. Margherita offers herself to men through her computer screen. On the other side of the Mediterranean, North Africans shout out their need to exist and fight to gain a new way of life. A correlation emerges between the story of the two women, the North African protesters and the Italian marchers.x.
|
|
|
Even Gods |
v |
|
Antonello Matarazzo
Italy
2012 | Numérique | 0:06:00
Loosely based on “fatzer-fragment”, “Downfall of the Egotist Johann Fatzer” by Bertolt Brecht.
|
|
|
În forma lucrurilor care trebuie sa vina |
Nelle forma delle cose a venire |
|
Riccardo Giacconi, Andrea Morbio, Daniele Zoico
Italy
2011 | Numérique | 0:36:00
See the synopsis in french.
|
|
|
El Cuento: : Indicazioni stradali sparse per terra |
|
|
Enrico Mandirola
Italy, Colombia, France
2011 | Numérique | 0:30:00
Un long discours sur la question de sagesse accompagné par des images associatives et partialement „en résistance“.
|
|
|
October 5th to 16th 2012
We present film series focused on 16 different countries and regions. This section intends to discover and explore different spaces and cultures with the aim to understand the specific regional, political and social circumstances, do reconstruct the emotional and intellectual spécificities of a special region or country. In this critical work we belief it's essencial to prefer films which rufuse, in its form and expression, the retake of sterotype ways of reality restituition, as an act of resistance in the actual period of "globalisation", which inclins to impose one dominating model of culture and habitutes.
|
|
|
|