Henning Rosenlund
Norway
2011 | Numérique | 0:16:00

Geir is a middle-aged Norwegian bachelor waiting for his Russian bride-to-be. Tina is young and beautiful. An exploration of their first few weeks together, A Marriage tells a tale of fragile love.

Mariken Halle
Norway
2011 | 0:15:00

Three different people end up at the same table at a bar. Stefan wants to talk about Thailand. Jeppe wants to talk about his son. And Mia wants to write it all down. A film about how different interests crash and meet and crash again.

Solveig Melkeraaen
Norway
2010 | 0:13:00

Couples, which stay together, all their life.

Kaja Leijon
Norway
2012 | 0:10:00

Wasteland explores how our experience of reality is influenced by images we have seen in movies. The film is surrounded by summer and darkness.

Lisbet Dreyer
Norway
2011 | 0:24:30

Winter Light is a film from the islands of Lofoten, north of the Arctic Circle in Norway. After weeks of low autumn light, the sun sinks below the horizon and stays there during the depth of winter. But the scarce light has its subtle beauty, as it falls on people's everyday life as well as the unique Arctic landscape. The film is poetic and rhythmic, and has very little dialogue.

Fabien Greenberg
Norway
2012 | 0:06:40

Four children have been left to themselves and created their own world in a game. Taken from what they are used to see, to experience, to hear, they are playing war. For one of the children, the limits between fantasy and reality gets increasingly blurred. When his father comes to pick him up, the father gets in the midst of the war.

Ole Kevin Rodberg
Norway
2012 | 0:07:30

It is a short film surrounding three personal poems, self-suppression and shame.The film's storyline is ambiguous but still complete, where we follow three kids and their poems, which describe their character in some way or the other. The film carries influences from Media Practitioners such as Ingmar Bergman, Lars von Trier and Edvard Munch. White Narcissus parallels to how the named media practitioners impose emotions, self-reflective methods, and their understanding of the society at that time, in their work. Transmitting manifold of feelings into a short film is difficult; both on how one can convey this into a script, but also on a personal emotional term. The film tries to fulfil the personal statement of anxieties, which is presented on various occasions throughout the piece. The film is also questioning how we as humans tend to appear as okay, though we sometimes feel abandoned, lonely or as an outcast. Personal matters remains unsolved, and individual development resigns as one find it difficult to express one’s inner feelings.

Anders Granlund
Norway
2011 | 0:06:00

Four men are sitting on a fence and waiting. Is there a desire to break out of their limitations? Is the fence a barrier placed in the way of others? When the sea sweeps over the beach emotional decisions are made, because the beach is where the facts of life, symbolized by the land, meets our feelings, symbolized by the waves in constant motion. A boat in the water builds up to the continuous tension and emotional relationships we had or are about to get.