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Le 17e Festival International
Signes de Nuit
Paris
3 - 13 october, 2019
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Focus Argentina
En en présence de Luz Escobar (avec une Q&A) |
Friday 11 october, 2019 / 4 pm
Maison de l'Argentine
Cité internationale universitaire de Paris |
Destete
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PARIS PREMIERE |
Inés Gowland
Argentina
2018 | 00:14:25
Teresa returns to Argentina determined to sell the family farm.
Ernesto, the presumptuous man who runs it, tries to convince her to
keep it. As she reconnects with the land, Ernesto's efforts and
insinuations will force Teresa to make a drastic decision. |
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Volverse aire
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FRENCH PREMIERE |
Cristina Motta
Argentina
2018 | 00:15:00
Maria disappeared in 2011, Laura in 1978 and Ema in 1875. They all
share a common destiny: they all vanished into air. In a recurrence
close to a habit, every one of the last three centuries expresses a
singular path to women’s existence. |
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Retiro
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Alejandro Juan Sorin
Argentina
2018 | 00:04:54
A man arrives to the Retiro Bus Terminal for a business trip but his
routine is interrupted by a young woman. She asks him to see her off
near the bus, and wave goodbye to her while the bus leaves... |
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Mirko
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INTERNAIONAL PREMIERE |
Federico Luis Tachella
Argentina
2018 | 00:12:22
An elderly woman travels to the seaside for a few days, leaving her
daughter in charge of the thing she loves the most: Mirko, a bird.
When the bird dies suddenly, she will try to solve the matter in the
best possible way. |
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Entre dos Aquas
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EUROPE PREMIERE |
Matias Lucchesi
Argentina
2018 | 00:13:00
A teenage girl is ready to do anything to save a horse from the slaughterhouse. |
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Crysalis
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Crisálida |
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Luz Escobar
Argentina
2018 | 00:09:00
The portrait of a young girl in the phase before becoming a woman. |
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October 3 - 13 , 2019
The FISDN present film series focused on different countries and regions. This section intends to discover and explore different spaces and cultures with the aim to understand the specific regional, political and social circumstances, do reconstruct the emotional and intellectual spécificities of a special region or country. In this critical work we belief it's essencial to prefer films which rufuse, in its form and expression, the retake of sterotype ways of reality restituition, as an act of resistance in the actual period of "globalisation", which inclins to impose one dominating model of culture and habitutes.
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