|
Guests: Cine TRANS EUROPE
23 - 27 of June
CINE TRANS EUROPE
Cine Trans Europe brings together five European short-film festivals, displaying their selections in Barcelona, Cork, Amsterdam, and Paris. This collaboration offers the unique chance of a remedy for the poor recognition of the one of a kind short-film experience, standing apart from mainstream cinema and, at the same time, re-inventing an original, complex and non-redundant cinematographic language, inspired by the modern realities the films demonstrate.
Cine Trans Europe's program (four short-film sections) opened in Osnabrück in April 2009, and will be displayed in Paris during the "Festival International Signes de Nuit, during which there will be presented, in four sections, the short-films of our partners of the Barcelona, Amsterdam, Cork and Osnabrück festivals.
|
Selection of the festival "Film Experience", Amsterdam
Thursday 25 June - 22h
Cinéma l'Archipel
|
Evolizer
|
|
|
Jan van Nuenen
Netherlands
2007 * 0:10:36
Figures in black and white moving in a futuristic city. One of these
figures on a mysterious box, guide us on the inside of a building. The
box opens and begins to reveal its own natural laws. Basic elements
start to transform spontaneously, creating more and more
complex organic species. There is a violent struggle for life. Who
is the strongest?
|
|
Thee Wreckers: No Place Like Home
|
|
|
Rosto A.D
Netherlands
2008 * 0:06:10
You're never more at home in hell.
|
Matter in Motion
|
|
|
Ruth Jarman and Joe Gerhardt
England
2008 * 0:05:36
The Universe is immediately in a constant state of integration and disintegration. In search of understanding of the material world around us, Semiconductor restructured the city of Milan. Revealing more familiar attributes of the world molecules
|
|
Lacus Temporis (Lake of Time)
|
|
|
Bret Battey
England
2008 * 0:08:25
The sound and image composition Lacus Temporis (Lake of Time)
arises from a single, subtle colour palette. The continuous animation of nearly 12,000 individual points and the ongoing transformation of one feedback synthesis process render delicate states hovering between visibility and invisibility, audibility and silence, order and uncertainty.
|
|
Energie!
|
|
|
Thorsten Fleisch
Germany
2007 * 0:05:03
The screen comes alive by a controlled beam of electrons in the cathode ray tube. For 'ENERGIE!' an uncontrolled high voltage discharge of 30.000 volts exposes multiple sheets of photographic paper which are then arranged in time to create new visual systems of electron organization. Even though the result is abstract it tells a universal story older than the world itself.
Music by Jens Thiele
|
Pneuma Monoxyd
|
|
|
Thomas Koener
Germany
2007 * 0:10:10
Merging images to monitor a street shop in Germany with a Balkan market place, the work of director darkly abstract and the spatially evocative soundtrack, generate a softened sense of a spectral against-utopia.
|
|
Cheer Me Up Thank You - Video for New Buffalo
|
|
|
Ryan Sverre
Australia / Netherlands
2007 * 0:03:13
This work of art is a wonderful example of animation cross mixing
photographs, videos, films, digital art and animation. Inspired by the sounds of "Cheer me up Thank you" sung by Sally Seltmann.
|
|
Undisclosed Beauty
|
|
|
Anders Weberg
Sweden
2007 * 0:03:13
"While you spit me in the picture does not mean that I have a clear vision"
A poetic and claustrophobic work. A. Weberg produces a single
visceraimagel, almost similar, through a mysterious process applied to the video.
|
|
Din Of Celestrial Birds
|
|
|
E. Elias Merhige
Us
2006 * 0:16:00
Hello and welcome .. do not be afraid ... Be comforted .. remember .. our origin .. Using techniques referring to the history of cinema as a whole, the director of "Begotten" and "Shadow of the Vampire" creates a vision enchanting the mystery of creation and evolution of consciousness.
|
|
White Noise
|
|
|
Dennis Miller
Us
2007 * 0:09:45
White Noise is a fast-paced work in which the flow of events is constantly disrupted. The title stems both from the use of noise as a means to generate the visual and musical elements, as well as to highlight the color palette in the central section of the piece. With its constantly shifting perspectives and abrupt juxtaposition of elements, White Noise is intended to evoke reflections on the chaos and interruptions that permeate everyday life.
|
|
