|
****** |
International Competition
Short Films
# 5 |
Saturday, November 28, 2015 / 4 pm
Maison des étudiants Suédois
Cité Universitaire de Paris
|
Samanta
|
|
|
Francisco Rodriguez
Chile
2014 | 0:22:00
Samanta, a girl from the streets, lives with Profeto, a peruvian immigrant who adopted her as his own daughter. One night, Profeto tells Samanta that his wife and daughter have arrived to Chile to live with him. Their presence threatens Samanta's permanence so she starts to despair and act self-destructively, trying to call Profeto's attention and not lose her recently found home.
|
|
|
Heartless
|
Sem caroção |
|
Tião Nara Normande
Brazil
2014| 0:25:00
Leo goes on vacation at his cousin's, in a fishing village. There, he meets a girl who goes by the nickname Heartless.
|
|
|
The Breath
|
De Schnuuf |
|
Fabian Kaiser
Switzerland
2014 | 0:11:00
Deep underground the action force is preparing for the imminent case
of emergency. Surveillance cameras are tracking the descent. The head
is burning. Constriction puts pressure on the chest. In the vacuum of
depth delusion is pulsating.
|
|
|
*
The Ebb of Forgetting
* |
Sa Pagitan ng Pagdalaw at Paglimot |
|
Liryc
Dela Cruz
Philippines
2014 | 0:14:000
Dreams and memories of two sisters collide as one grieves the death of
her sibling and the other tries to let go of her memories
|
|
|
Night Soil
|
Fake Paradise |
|
Melanie Bonajo
United States, Netherlands
2015 | 0:32:00
Night Soil examines the healing effect of the hallucinatory plant
Ayahuasca on modern man's troubled mind. Can Ayahuasca be, for Western
civilisation now, what LSD was for the 1960s? How can shamanism,
medicinal drugs, sexuality and the return of the feminine be aligned
with the narcissism of cyberspace? Can empathy, spirituality, feminism
and ecological consciousness enable a healthy future for all living
organisms on the planet?
|
|
|
November 26 - December 6, 2015
An international jury overview the sections of short films coming from all over the world. The festival prefers film treating important subjects in an original way, films which don't avoid ambiguity and complexity, films, which are sometimes stay enigmatic, so that refection and mind are going on moving, exceptional films, which covers all kind of artistically expressions, films open for esthetical innovation, shortly films reflecting the perturbing strangeness of the modern world in a complex way.
|
|
|
|