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Le 14e Festival International
Signes de Nuit
Paris
24 Novembre - 4 Décembre, 2016
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Compétition International
Documentaire
# 5 |
Samedi 3 Décembre, 2016 / 14 h
Maison du Portugal
André de Gouveia
Cité internationale
universitaire de Paris
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Hype |
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Luis Sens
Argentina
2015 / 0:09:20
Two bourgeoise women comment a stranger.
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Corteza |
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Paloma Rincon
Columbia
2016 / 0:15:00
Corteza is the contemplation of a naked body, transformed by the
disease and the pass of years, that suggests old age as the transition
to another reality.
Lilia is 71 years old and Alzheimer’s disease has transformed her mind and body.
Her world is full of noises and whispers. Sometimes thoughts come out
from her mouth and reveal a disturbed reality.
Corteza is a short film that describes this woman’s bath routine.
Submerged in a bathtub, Lilia lets her body lie there, while an
imposing black woman is in charge of rinse her, rub her...accompany
her and contemplate her.
Arms, legs, skin, bones. This is the inventory of a body that consumes
itself. A body that inhabits another world and another time.
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A 157 |
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Behrouz Nouranipour
Iran
2015 / 1:13:00
Peace and equality are poems expressing certain dreams of nations; but
the literature of peace and equality seekers hasn’t succeeded so far
and the situation is taking a turn for the worse. War, genocide,
discrimination and rape are becoming widespread and global. In the
past century, the accumulated time during which the world has been
pure of war has been less than an hour. And that is a fact we must
face. Why all this criticism and ado have been so futile and
fruitless? What is the problem of these self-proclaimed righteous
uprisings that they all tend to dry? A157 is a filmmaker look at three
pregnant girls recounting their stories of war, violence and sexist
conquest in a land where people have no more dreams…
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24 novembre - 4 décembre 2016
Les documentaires (expérimentaux) seront évalués par un jury international ; ces films venant du monde entier parlent d’une manière inédite de tous les aspects sensibles et inquiétants du réel ; ils représentent souvent la réalité de manière ambivalente, énigmatique en évitant des clichés et les conclusions trop simples dans un monde complexe.
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